Panama at Another
Crossroads
Executive summary by darmansjah
Panama City’s waterfront causeway has views of downtown
PANAMA CITY After
a decade of stop-and-go development, the Frank Gehry-designed BioMuseo opens
February 3. The debut marks a defining
moment for the capital in the centennial of another game changer: the Panama
Canal. Actually, the museum’s protracted birth fits the subject matter of its
galleries, which tell a story that began some 20 million years ago. Tectonic
plates clashed and underwater volcanoes roiled to form the land bridge between
continents today known as the nation of Panama, reshaping global climate and propelling
massive biodiversity. Now, as Panama City transforms into a vibrant boom town,
Gehry’s riot of Play-Doh colors, convoluted shapes, and helter-skelter
arrangement makes a new anchor for the evolving skyline. Sensory overload
continues inside the BioMuseo. In the Panamarama gallery, wall projections of
native ecosystems such as tropical cloud and rain forests envelop visitors with
the point of view of sea turtles, leafcutter ants, and other indigenous
creatures. Elsewhere, lopsided columns tower over gallerygoers to represent the
igneous rock that thrust up fro mthe depths of the sea to forge the country.
“Panama has always been more that a canal,” says spokesman. “Now you can
experience its history, people, biodiversity, and culture-within a work of
art.”