Wild China
Executive summary by darmansjah
Wild China is a six-part nature documentary series on the
natural history of China, co-produced by the BBC Natural History Unit and China
Central Television (CCTV) and filmed entirely in high-definition (HD). It was
screened in the UK on BBC Two from 11 May to 5 June 2008. The English narration
was provided by Bernard Hill and the series produced by Phil Chapman for the
BBC and Gao Xiaoping for CCTV. The Chinese version was broadcast under the
title Beautiful China. In Canada, it was broadcast on CBC as part of the series
The Nature Of Things narrated by David Suzuki. Wild China was also broadcast in
Australia on ABC1 and ABC HD each Sunday at 7:30pm from 18 May 2008.
The musical score to accompany the series was composed by
Barnaby Taylor and is performed by Cheng Yu and the UK Chinese Ensemble.
Prior to broadcast, the series was billed as the culmination
of the BBC Natural History Unit's "Continents" programmes, a
long-running strand of blue-chip wildlife documentaries which surveyed the
natural history of each of the world's major land areas. It was preceded by
Wild Caribbean in 2007, but with the broadcast of South Pacific in 2009 the BBC
signalled a continuation of the strand.
The 2008 Beijing Olympics gave the BBC Natural History Unit
team the opportunity to make the first comprehensive series on China's natural
history. In the run up to the Games, the Chinese government was
"understandably keen to promote itself as a country worth visiting"
according to BBC producer Phil Chapman. Permission for Wild China was granted
in 2005, with the BBC working alongside local partners CTV, a Beijing
production company closely allied to state broadcaster CCTV. The series marks
the first time that CCTV has collaborated with a foreign broadcaster.
With wildlife filmmaking in its infancy in China, and a
perception in the developed world of a country plagued by environmental
problems, the producers hoped that the series would change attitudes in both
the East and the West:
Filming for the series took place over 16 months, and
involved half a million miles of travel on 57 separate filming trips to some of
China's most inaccessible and spectacular locations. The production team shot
over 500 hours of HD footage in 26 of China's 30 provinces.
Despite being granted unprecedented access to many remote
and protected areas, one of the main challenges faced by the filmmakers was
finding wildlife. Although 15% of China's territory has some form of
protection, this is not a guarantee of safety for wildlife, as reserves were
often found to be under-equipped and under-staffed. In addition, they
encountered a lack of local expertise and specialist knowledge, as few of
China's zoologists were naturalists with an interest in observing wildlife.
Producers even struggled to film the courting behaviour of one of the country's
commonest creatures, the rice-paddy frog. Consequently, the team's attempts to
find and film wildlife were not always successful.
With the support of local party officials, the producers
found it easier to contact and film local people. They were particularly keen
to record examples of traditional lifestyles which incorporate the natural
world to give the series a cultural context. The episodes were divided by
region to present the distinct cultural as well as ecological differences.
1. "Heart of the
Dragon"
The Li River and the Hills of Guilin
The first programme in the series concentrates on South
China, where the climate and terrain is ideal for rice cultivation. The
terraced paddy fields of Yuanyang County plunge 2000 metres down steep
hillsides to the Red River valley, and are some of the oldest man-made
structures in China. In a Miao household in Guizhou province, the arrival of
red-rumped swallows signals the time for planting. Other creatures which
benefit from the rice monoculture include little egrets and Chinese pond
herons. Of the hundreds of caves beneath the limestone hills of this karst
region, few have been explored. At Zhongdong, an entire community, including a
school, lives in the shelter of a cave. Francois' langurs, a rare primate, use
their rock-climbing skills to enter caves at night for protection. Other cave
dwellers include swifts and Rickett’s mouse eared bats, filmed for the first
time catching fish in the dark. Freshwater creatures are an important resource
for the people of South China. The Li River cormorant fishermen now only
practice their art for tourists, but at Caohai Lake, dragonfly nymphs are a
unique and valuable harvest. Some delicacies, such as freshwater turtles, are
vanishingly rare. Chinese alligators only survive in Anhui province thanks to
dedicated conservation efforts. A troop of Huangshan macaques is shown
retreating to the safety of the treetops when a venomous Chinese moccasin is
spotted. After the autumn rice harvest, migratory birds including tundra swans
and Siberian cranes gather at Poyang Lake.
2.
"Shangri-La"
Kawagebo (6740m), the highest mountain in Yunnan, lies in
the Hengduan range
This episode profiles the rich biodiversity of south-western
Yunnan province. Forming the eastern boundary of the Himalaya, the Hengduan
Mountains have buckled into a series of parallel ridges running north-south.
The Nujiang River is one of a succession of deep gorges that carve their way
through the mountains. In summer, monsoon rainclouds from the Indian Ocean are
funnelled up the valleys, creating a unique climate in which species from the
tropics can flourish at a more northerly latitude. Yunnan’s 18,000 plant
species, of which 3,000 are found nowhere else, attracted Western botanists and
explorers such as Joseph Rock. In the snowbound forests surrounding the
pilgrimage site of Kawakarpo (6740m), rare Yunnan snub-nosed monkeys are filmed
feeding on lichen. In the Gaoligong Mountains, tropical and alpine plants grow
side by side. Birdlife filmed here includes sunbirds feeding on epiphytes and
the courtship display of a Temminck's Tragopan. The fruiting trees attract bear
macaques and black giant squirrels, whilst China’s 250 remaining wild Asian
elephants forage below. A Lesser Bamboo Bat colony is filmed at their roost
inside a single stem; each bat is the size of a bumblebee. A giant elephant yam
flower is pollinated by carrion beetles at night. Black crested gibbons are
filmed in the forests of Wuliangshan. The people of Yunnan include the Dai,
Hani and Jino tribes, each of whom regard the forests as sacred and harvest
them sustainably, but modern times are bringing new threats such as rubber
plantations and tourism.
3. "Tibet"
A seabird colony on a Qinghai Lake island
The Tibetan Plateau is the subject of the third installment.
It covers one quarter of China’s land area, but just 2.5 million people live
there, the majority Tibetan Buddhists. Their religion mixes traditional
Buddhism with older shamanic beliefs, and its teachings have instilled a
respectful attitude to wildlife. Rare species such as black-necked cranes and
Tibetan eared pheasants can benefit directly from co-existence with people.
Meltwaters from Tibet’s 35,000 glaciers form large freshwater lakes including
Qinghai and Manasarovar. Nesting birds here include great crested grebes and
bar-headed geese. The plateau is a high altitude desert swept by freezing
winds, but is also home to China’s biggest concentration of large animals.
Argali sheep are seen descending hillsides to their winter grazing sites. In
the Changtang, Chiru are filmed congregating in the rutting season, and wild
yaks are only found in the remotest areas. Predators include the elusive snow
leopard and the Tibetan fox, filmed profiting from a Tibetan bear’s attempts to
hunt pika. A highly lucrative "caterpillar fungus" (yatsa gunbu) is
harvested from the spring ground for use as a traditional remedy. Life even
clings on in the most extreme environments; the slopes of Everest are home to a
species of jumping spider, whilst the unique hot spring snake survives at
4,500m by warming its body in thermal springs. The Saga Dawa festival takes
place at sacred Mount Kailash and draws pilgrims of many faiths. Tibet is a
fragile ecosystem; its glaciers are melting, and this will have a profound
effect on the future for billions of people who depend on waters flowing from
the plateau.
4. "Beyond the
Great Wall"
Siberian tigers inhabit the forests bordering the Amur River
The fourth episode looks at the lands north of China’s Great
Wall. Here, nomadic tribes from a variety of ethnic groups still roam, but
their traditional ways of life are changing as people move to modern cities. In
ancient Manchuria, the last Hezhe fishermen still cast their nets beneath the
thick ice of the frozen Black Dragon River. The forests here support wild boar,
which forage for walnuts in winter, and the last remaining wild Siberian tigers
in China. Ewenki reindeer herders came from Siberia hundreds of years ago: now,
only 30 remain. Further west lie the rolling Mongolian steppe grasslands, and
at Bayan Bulak, the livestock of Mongolian horsemen share the pastures and
wetlands with breeding demoiselle cranes and whooper swans. Continuing
westwards, the land becomes increasingly hot and dry, turning first to arid
grasslands roamed by rare goitered gazelles, and then to the Taklamakan Desert,
the world’s largest shifting sand desert. Here stand ruined towns, a legacy of
the Silk Road, and many yardangs, sand-sculpted rock formations. Underground
irrigation canals at the Turpan oasis enable grapes to be cultivated, and
red-tailed gerbils are quick to take advantage. Kazakh nomads spend the summer
in the Tian Shan before descending to the Junggar Basin, an arid land bordering
the Gobi Desert, to overwinter. Here their livestock shares the meagre pasture
with the last wild horses on earth. A Kazakh demonstrates the 6000-year-old
tradition of hunting with golden eagles. The closing scenes show the Harbin Ice
Festival.
5. "Land of the
Panda"
The film features courtship and mating of wild giant pandas
The fifth installment features central China, home to the
Han Chinese. They are the largest ethnic group on Earth, and their language
Mandarin the most widely spoken. The programme looks at how the relationship
between people and wildlife has changed over time. Ancient Chinese beliefs
placed great importance in the harmonious co-existence of man and nature. At
the beginning of China’s period of rapid economic growth, this ideal was
largely forgotten. A number of political references contrast the more
enlightened environmental policies of the current government with those under
Chairman Mao Zedong, which led to widespread degradation. The Chinese alligator
and crested ibis are two species saved from extinction by direct intervention.
Other animals have benefited from ancient spiritual beliefs and customs which
live on, promoting respect and reverence for wildlife: the yellow weasels and
Mandarin ducks of Beijing are two such creatures. However, wildlife is still
threatened by illegal poaching for food and traditional medicine. West of
Beijing lie the fertile lands of the North China Plain and the Loess plateau,
source of the Yellow River. Increased demand for water has changed the river’s
flow, and soil erosion causes dust storms which reach the capital. Further
west, the Qinling Mountains are a refuge for some of China’s rarest species
including the takin, golden snub-nosed monkey and giant panda. Giant panda
courtship and mating is shown, filmed for the first time in the wild. In the
colourful lakes of Jiuzhaigou, unique fish swim amongst forests preserved
underwater.
6. "Tides of
Change"
Rare black-faced spoonbills overwinter in Hong Kong
The final programme features China’s 14,500 km coastline,
home to 700 million people. Despite decades of rapid urban development, it is
still an important migration route for birds. Endangered red-crowned cranes
depart their northern breeding grounds to overwinter at Yancheng salt marsh,
the largest coastal wetland in China. Shedao Island is an important stopover on
the migration route, but the resident Shedao Island pitvipers, stranded by
rising sea levels, lie in ambush in the branches. A snake strikes a songbird,
and another is filmed swallowing a kingfisher. All along the coast, traditional
forms of cultivation allow wildlife and people to live side by side. Crops vary
from seaweed and cockles in the north to prawns further south, allowing birds
such as whooper swans and black-faced spoonbills to prosper. Kejia tea-growers
and Hui'an women harvesting oysters are also shown. China’s rivers and seas are
heavily polluted. Sewage and fertiliser washed into the Bohai Gulf cause
plankton blooms, attracting jellyfish, which in China are a commercial catch.
In the Yangtze estuary, the migrations of creatures such as Yangtze sturgeon
and mitten crabs are being impeded by upstream dams. In the tropical South
China Sea, where coral reefs are under threat, whale sharks are rare visitors.
Other rare creatures filmed include Pere David's deer and Chinese white
dolphins. On Hainan island, macaques are shown jumping into a hotel swimming
pool, epitomising the uneasy coexistence of wildlife and people in China, and
the challenge of continuing its traditional harmonious relationship with
nature.