Totems of a past life; Menhi stones erected along
Galicia’s coast in 1994 hark back to Celtic times.
The story of Spain’s rugged northwestern coast is written in
stone, story by Tim Richardson, executive summary by darmansjah
The pilgrims are steadfast, fervent, determined as they pass
through the Galician village of O Cebreiro, in southwestern Spain. The dogs do
not bark; they see pilgrims every day. O Cebreiro is on the final leg of the
Way of St.James, a medieval religious route that ends in Galicia’s capital, Santiago de compostela.
Mine is a different pilgrimage. Not across the verdant
mountains of northern Spain. Not for the remission of sins. Mine is a
pilgrimage into my Celtic ancestry. Celts once inhabited much of Europe,
including the wild fringes of the Atlantic Ocean, from Scotland south through
Wales, Cornwall (where my ancestors resided), Brittany, and northern Spain.
That they established themselves this far surprises many, but the evidence is
all around me. In O Cebreiro, thatched palloza
huts, peaked like the mountains beyond, are based on Celtic designs. Stone
walls of ancient pallozas crowd Santa Tecla hill, on Galicia’s western coast.
Looking down from this site-already old when the Romans came-to the modern suburbs
of A Guarda below, I can feel the continuity of human existence, of communities
following one another for 2,000 years.
Stone is everywhere in Galicia. Hundreds of weathered stone
granaries, set on pillars to keep rodents out, grace the countryside. In
Galicia’s western reaches, by the town of Muxia, sits the church Nuestra Senora
de la Barca. Below it, the flared Pedra dos Cadris draws visitors with its
purported healing powers. Pilgrims come here after completing the Way of
St.james to crawl under the stone, repeating a local tradition.
Celtic rituals appear to inform Galicia’s queimada, or ‘burn’ which refers to both
an alcoholic drink and the ceremony around it. In the town of Piornedo, I watch as the drink-made with a liqueur,
sugar, lemon peel, and coffee beans-stews in a clay pot. It then is set on
fire. As flames leap into the night, an incantation is read: ‘Demons, goblins,
and devils, spirits of misty vales…howl of the dog…omen of death…maws of the
satyr…’ Finally, the steaming brew is ladled into cups. I drink. No witches; I
have a good time. Though I wonder what older Galicians make of such Celtic
throwbacks.
Horses played a big role in the Celtic world. Valued for
their strength, they were associated with gods. Wild descendants of those horses
are rounded up today in the rapa das
bestas, or taming of the beasts, at which they are wrestled to the ground
by bare-handed men and women so their manes and tails can be trimmed.
I join the fray, watching as two men single out a horse and
grab at its mane; others go for the tail. Dust rises in clouds, and the horse
slips away. Suddenly, I see a wall of horses charging toward me-and I do
something strange: I wait for them to get closer. Why? I can’t say, except that
at that moment I understand why men grab a feral horse: to feel the wild in
their hands.
Galician nights have their own wildness. At O Bar de Fredi,
musicians beat tambourines to songs they chant with frantic energy, a music
that has filled the valleys here for centuries.
Like other pilgrims, in Galicia I have found what I’ve been
looking for: living echoes of my Celtic ancestry.
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