Executive summary by darmansjah
Is graffiti always urban blight? Not in Taiwan, where
officials are betting on street art as a
force for tourism.
In Taipei’s Zimending district, vibrant stencils and letters
brighten walls along America Street, a retail alley set aside by the government
as a graffiti zone that allows “tagging” without repercussions. On the east
coast of Taiwan, murals outside Taitung’s grade schools and community centers
cepict the city’s aboriginal roots with
tribal scenes of fishing and hunting .in the industrial western port of
Kaohsiung, artists have revitalized an empty warehouse district now known as
the Pier 2 Art Center, where spary-painted walls frame fine-art galleries, and
Kaohsiung’s cultural affairs bureau hosts exhibits and festivals. On the other
side of town at Zizhu Village, former Nationalist soldier housing was on the
chopping block until local students reimagined its vacant shacks with paint and
sculpture-and travelers took notice.
Then there’s Taichung’s 91-year-old “Rainbow Grandpa,” whose
colorful brushstrokes turned a veterans’ refuge into Rainbow Village, a tourist
favorite and officially designated cultural landmark. “I don’t smoke, I don’t
drink, I don’t play mahjongg,” says the self-taught artist. “I just paint.”
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