Executive summary by darmansjah
Urbino is a walled city in the Marche region of Italy,
south-west of Pesaro, a World Heritage Site notable for a remarkable historical
legacy of independent Renaissance culture, especially under the patronage of
Federico da Montefeltro, duke of Urbino from 1444 to 1482. The town, nestled on
a high sloping hillside, retains much of its picturesque medieval aspect, only
slightly marred by the large car parks below the town. It hosts the University
of Urbino, founded in 1506, and is the seat of the Archbishop of Urbino. Its
best-known architectural piece is the Palazzo Ducale, rebuilt by Luciano
Laurana.
The main attraction of Urbino is the Palazzo Ducale, begun
in the second half of the 15th century by Federico II da Montefeltro. It houses
the Galleria Nazionale delle Marche, one of the most important collections of
Renaissance paintings in the world.
Other buildings include Palazzo Albani (17th century),
Palazzo Odasi and Palazzo Passionei.
The Albornoz Fortress (known locally as La Fortezza), built
by the eponymous Papal legate in the 14th century.
In 1507-1511, when the Della Rovere added a new series of
walls to the city, the rock was enclosed in them. It is now a public park.
Raphael's house and monument (1897).
Churches
The Duomo di Urbino (cathedral) is a church founded in 1021
over a 6th-century religious edifice. The 12th century plan was turned 90
degrees from the current one, which is a new construction also started by
Federico II and commissioned to Francesco di Giorgio Martini, author of the
Ducal Palace. Finished only in 1604, the Duomo had a simple plan with a nave
and two aisles, and was destroyed by an earthquake in 1789. The church was
again rebuilt by the Roman architect Giuseppe Valadier, the works lasting until
1801. The new church has a typical neo-classicist appearance, with a majestic
dome. It houses a San Sebastian from 1557, an Assumption by Carlo Maratta
(1701) and the famous Last Supper by Federico Barocci (1603–1608).
The church of San Giovanni Battista, with frescoes by
Lorenzo Salimbeni da Sanseverino
Sant'Agostino, built in Romanesque style in the 13th
century, but largely modified in the following centuries.
The façade has a
late-14th century almond portal in Gothic-Romanesuqe style, while the interior
is greatly decorated. It houses a precious carved choir from the 16th century,
manufactured for the marriage of Costanzo Sforza and Camilla of Aragona. The
bell tower is from the 15th century.
San Francesco (14th century), originally a Gothic-Romanesque
edifice of which an 18th-century restoration has left only the portico and the
bell tower. The interior has a nave and two aisles, and houses the Pardon of
St. Francis, a 15th-century work by Barocci.
The Oratory of San Giuseppe (early 16th century), composed
of two chapels: one of which contains a 16th-century presepio or Nativity scene
by Federico Brandani, the stucco figures are lifesize and highly naturalistic.
Outside the city is the Church of San Bernardino, housing
the tombs of the Dukes of Urbino.
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